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Homeostatic Balances Essay

Governmental Regulation of Privacy Essay -- Expository Essays Research

Governmental Regulation of Privacy Many laws have been enacted by the government to regulate privacy. One piece of data that is used to uniquely identify people is the Social Security Number. Surveillance in the United States began mostly with the Social Security Act of 1935 when Social Security was used to track people's earnings and to pay retirement benefits. The government was the only group able to access the information. However, today the Social Security card can get someone credit cards and driver licenses enough for someone to steal an identity. The Privacy Act of 1974 created a law to help protect citizens from the government abusing its privileges. The Privacy Act requires State and Local authorities to tell the individual three things when requesting the Social Security Number. One is if the disclosure is mandatory or voluntary. Two: what is the status or other authority the Social Security Number is solicited, like what other government agencies it is being provided to? Lastly, what uses will be made of the number by the agencies? ( http://www.cpsr.org/cpsr/privac...

Ernest Hemingway ` A Farewell to Arms`

With its relatively simple plot, sparse language, and seemingly traditional background of love and war, Earnest Hemingway's third novel, â€Å"A Farewell to Arms† stands as one of the most highly regarded novels of the twentieth century.Beneath the traditional surface of the novel revolutionary narrative techniques and penetrating appraisals of political and social themes interact to produce, perhaps, the most richest and profound work of Hemingway's career.The themes and   emotions of â€Å"A farewell to Arms† are stated indirectly, through an unreliable narrator, but beneath the familiar-seeming surface of the story, like an iceberg, â€Å"which  Ã‚   Hemingway often took to be the apt image of his art.† (Bloom 10)One important technique Hemingway uses in â€Å"A Farewell to Arms† is to tell the story from a 1st person narrative point of view. This allows for the inclusion of ambiguity and unreliability in the story, so that the reader can never be e xactly certain (as one can in omniscient narration) of the nature and specificity or meaning of the events that are being recounted.The first step toward this ambiguous and unreliable narrative is to create a character with an outward traditional â€Å"face:† that of a soldier; but with a non-traditional inner-self: â€Å"the book is cast in the form which Hemingway has apparently delimited for himself in the novel-diary form.It is written in the first person, in that bare and unliterary style[†¦] in that tone which suggests a roughly educated but sensitive poet who is prouder of his muscles than of his vocabulary.† (Meyers 121)The poetic narrator caught in a war that he is only ambivalently engaged in at an emotional level, and then caught up in a whirlwind love-affair that he may or may not be faking,generates an enormous degree of novelty in Hemingway's characterization. The fact that the narrator spends a great deal of his time contradicting himself or acting in direct opposition to his expressed beliefs endows â€Å"A Farewell to Arms† not only with verisimilitude, but also with a multi-layered theme, one which must be searched for by the reader as he or she follows along with Fredrick Henry's own quest.Henry says he is in love with Catherine, but then immediately remarks: â€Å"I knew I did not love Catherine Barkley nor had any idea of loving her. This was a game, like bridge, in which you said things instead of playing cards. Like bridge you had to pretend you were playing for money or playing for some stakes.† (Hem 30-31)This dynamic use of theme marks one of several innovative narrative techniques at work in the novel. By subsuming even his character to the (hidden) theme of the novel, Hemingway allowed for an intense degree of reader-identification and thematic resonance. The theme of the novel is probably most directly and explicitely stated by Frederick Henry's observation that:  Ã¢â‚¬Å"If people bring so much co urage to this world the world has to kill them to break them, so of course it kills them.The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very   Ã‚  Ã‚  Ã‚   gentle and the very brave impartially. If you are none of these you can be sure it will kill   Ã‚  Ã‚  Ã‚   you too but there will be no special hurry.† (Hem) This theme, one of bitterness, regret, and mortality — where heroism and courage are met only by death is decidedly not a traditional theme for war novels or love stories. By digging deeply beyond the surface layers of the novel, an astute reader will find that the aforementioned traditional themes of the heroic soldier and the happy lovers gives way to a more probing, penetrating — and accurate — view of love and war, at least in light of Hemingway's personal beliefs and experiences.Beneath the romantic surface is a brutal truth of death and regret and waste and sadness: â€Å"For a war novel, however, A Farewell to Arms ends rather surprisingly, with the strangled and stillborn death Of Frederic's and Catherine's infant, and Catherine's subsequent death by hemorrhaging.† (Pozorski)In fact, this theme is foreshadowed and hinted at throughout the course of the novel by way of   Henry's unreliable narration and also by way of the use of symbols and wordplay through the novel's rising action. Key to Hemingway's themes being â€Å"masked† or mirrored is his use of wordplay and puns.The title of course operates as a â€Å"pun † of sorts: â€Å"A Farewell to Arms involves a play on words relating both to Frederic Henry's desertion from the Italian army and to his later leave-taking of Catherine Barkley after her death in Switzerland.† (Harrington 59)However, there are other instances of puns and wordplay which specifically point out to the astute reader that Henry's surface level narration cloaks the deeper more desolate themes recounted above.â€Å"One highly revealing play on words in A Farewell to Arms involves Frederic's returning to the front before his knee is completely healed. He has only â€Å"partial articulation† in the wounded leg (96), a pun that captures his reticence and failings as narrator†¦ Similarly, while making their diagnosis, the doctors in Milan â€Å"[t]est [Frederic's] articulation† (96), which matches the reader's task in working through this intricate text.† (Harrington 59)

Tell the Women That We Are Going - 1258 Words

Analysis of Tell the women that we are going The narrator in tell the women that we are going is a third person omniscient narrator with Bills point of view ½. I can sees that it is a third person narrator form Bills point of view on page 222 line 28 Bill was thinking how Jerry was getting to be deep, the way he stared all the time and hardly did any talking at all. Here I get a clear example of that the point of view is from Bills perspective. That will say that we know all about what Bill is thinking, felling, his background, see and do. All of this is shown in the shot story, a example is on page 221 first line to line 6 same page, another example is on page 226 line 36 and the following two sentences. Where I get to know what†¦show more content†¦With example the girls. In the opening is there a presentation of the two main character and their friendship. To capture the interest of the reader the author have made a special friendship. The special about this opening is that you do not get presented for the main problem, but only the two main character and their friendship. Not all the main themes are presented in the opening, only a few of the themes are presented. The short story end opened, because you do not get to know what they with the two dead girls and how their trip end. The end is unexpected, because he kills the two girls, without given a specific reason. Because the ending is unexpected you, as reader, get surprised, confused, you sit back with the felling of what did just happened. All the event in the short story happens in chronological order. There is no flash forward or flash backs, which confirm that the short story is chronological build up. All the events happens very suddenly there are no hint that lead up to any of the events. The point of no return is on page 222 line 35, where they talk about taking a little ride in a car. It is the point of no return, because they have decide to leave the children and wifes a home while they are out doing something that the find fun. The climax in the short story is when Jerry go down and kills the two girls. It is the climax, because it isShow MoreRelatedSummary Of Robin Lakoffs Language And Womans Place1379 Words   |  6 PagesIn Robin Lakoffs Language and Womans Place the author Robin tells us her side of the inequity that women face. She wants to see what she can conclude from her experiences. In this article she tells us about her first hand accounts of this through introspection (Lakoff 46). Robin tells us about what language use can tell us about the nature of inequality (Lakoff 45). The author also talks about the subservient functions of women and the roles that sexes play in society (Lakoff 45). Robin wants toRead MoreLittle Red Riding Hood : A Fairy Tale16 88 Words   |  7 Pagesstrong meaning behind it. 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I ll rise up And I ll do it a thousand times again†Read Morestory of an hour poem1160 Words   |  5 Pages2013 The Story of an Hour Women have come a long way since 1900s.That was my response to the story â€Å" The Story of an Hour†. To story also let me know how important women are to this world but importantly to men. Before I go ahead with my personal response of the story. I want to give a background on the story because l feel like it will let one know where I’m coming from or know how I got my personal response. Kate Chopin wrote â€Å"The story of an hour† in 1894. We are talking about a good 200Read MoreWomen Are Looking For A Man Of God1225 Words   |  5 Pagescharge the battery, right? So why is it that we, as men of God, are not watchful enough to see that our spiritual battery is low? Why don’t we regularly recharge it? Maybe check yourself into a hotel or something overnight and just lie on your face before God, listening. Some of you may be in crucial situations right now. 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